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Edit Cast Cast overview, first billed only: El Mariachi Salma Hayek Edit Storyline In the third movie of Rodriguez's "Mariachi" trilogy, a Mexican drug lord pretends to overthrow the Mexican government, and is connected to a corrupt CIA agent who at that time, demands retribution from his worst enemy to carry out the drug lord's uprising against the government.
Edit Details Official Sites: Edit Did You Know? Trivia Johnny Depp shot all of his scenes in eight days, but after filming was done he didn't want to leave.
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Goofs As El Mariachi shoots at the thugs in the church, as he backs down the center aisle, squibs continue to go off behind the thugs even after El stops firing.
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Ever since The Good, the Bad and the Ugly , which originally ran for three hours, Leone's films were usually cut often quite dramatically for box office release.
Leone was very conscious of the length of Once Upon a Time in the West during filming and later commissioned Sergio Donati , who had worked on several of Leone's other films, to help him refine the screenplay, largely to curb the length of the film towards the end of production.
Many of the film's most memorable lines of dialogue came from Donati, or from the film's English dialogue adapter, expatriate American actor Mickey Knox.
Whereas the "Dollars" films were quirky and up-tempo, a celebratory yet tongue-in-cheek parody of the icons of the Wild West, this film is much slower in pace and sombre in theme.
Leone's distinctive style, which is very different from, but very much influenced by, Akira Kurosawa 's Sanshiro Sugata , is still present but has been modified for the beginning of Leone's second trilogy, the so-called Once Upon a Time Trilogy.
The characters in this film are also beginning to change markedly over their predecessors in the Dollars Trilogy. They are not quite as defined and, unusual for Leone characters up to this point, they begin to change or at least attempt to over the course of the story.
This signals the start of the second phase of Leone's style, which would be further developed in Duck, You Sucker!
The film features long, slow scenes in which there is very little dialogue and little happens, broken by brief and sudden violence. Leone was far more interested in the rituals preceding violence than in the violence itself.
The tone of the film is consistent with the arid semi-desert in which the story unfolds, and imbues it with a feeling of realism that contrasts with the elaborately choreographed gunplay.
Sergio Leone liked to tell the story of a cinema in Paris where the film ran uninterrupted for two years. When he visited this theatre, he was surrounded by fans who wanted his autograph, as well as the projectionist, who was less than enthusiastic.
Leone claimed the projectionist told him "I kill you! The same movie over and over again for two years! And it's so SLOW! The brick arch where Bronson's character flashbacks to his youth and the original lynching incident was built near a small airport fifteen miles north of Monument Valley , in Utah and two miles from U.
Route which links Gouldings Lodge and Mexican Hat. The opening sequence with the three gunmen meeting the train was one of the sequences filmed in Spain.
Shooting for scenes at Cattle Corner Station, as the location was called in the story, was scheduled for four days and was filmed at the 'ghost' train station in the municipality of La Calahorra, county of Gaudix, near Guadix , in the Province of Granada , Spain, as were the scenes of Flagstone, and shooting for the scenes in the middle of the railway were filmed along the Guadix - Hernan Valle railway line.
Fonda did not accept Leone's first offer to play Frank, so Leone flew to New York to convince him, telling him: The camera tilts up to the gunman's face and Wallach advised Fonda to do the film, telling him "You will have the time of your life.
When he accepted the role, Fonda came to the set with brown contacts and facial hair. Fonda felt having dark eyes and facial hair would blend well with his character's evil and also help the audience to accept this "new" Fonda as the bad guy, but Leone immediately told him to remove the contacts and facial hair.
Leone felt that Fonda's blue eyes best reflected the cold, icy nature of the killer. It was one of the first times in a Western film where the villain would be played by the lead actor.
Leone originally offered the role of Harmonica to Clint Eastwood ; when he turned it down, Leone hired Charles Bronson who had originally been offered and turned down the part of the Man with No Name in A Fistful of Dollars.
James Coburn was also approached for Harmonica, but demanded too much money. Robert Ryan was offered the role of the Sheriff played by Keenan Wynn.
Ryan initially accepted, but backed out after being given a larger role in Sam Peckinpah 's The Wild Bunch. Enrico Maria Salerno and Robert Hossein were both offered the role of Morton before Gabriele Ferzetti was cast; Hossein had accepted, but had to drop out for a theatre commitment.
Ferzetti, who considers it one of his best roles, referred to his casting as "Fate, Destiny" in an interview for the DVD release.
Actor Al Mulock featured as Knuckles in the opening train sequence, as well as in Leone's The Good, the Bad and the Ugly committed suicide during shooting of the film by leaping from his Guadix hotel room in full costume.
Frank Wolff , the actor who plays McBain, also committed suicide in a Rome hotel in The music was written by composer Ennio Morricone , Leone's regular collaborator, who wrote the score under Leone's direction before filming began.
As in The Good, the Bad and the Ugly , the haunting music contributes to the film's grandeur and, like the music for The Good, the Bad and the Ugly, is considered one of Morricone's greatest compositions.
The film features leitmotifs that relate to each of the main characters each with their own theme music as well as to the spirit of the American West.
It was Leone's desire to have the music available and played during filming. Leone had Morricone compose the score before shooting started and would play the music in the background for the actors on set.
Except for about a minute of the "Judgment" motif, before Harmonica kills the three outlaws, no soundtrack music is played until at the end of the second scene, when Henry Fonda makes his first entry.
During the beginning of the film, Leone instead uses a number of natural sounds , for instance a turning wheel in the wind, sound of a train, grasshoppers, shotguns while hunting, wings of pigeons, etc.
He found it to be "good fun" and "a painstaking distillation" of Leone's famous style, with intriguing performances by actors cast against their type and a richness of detail projecting "a sense of life of the West" made possible by Paramount's bigger budget for this Leone film.
Ebert complained, however, of the film's length and convoluted plot, which he said only becomes clear by the second hour. While viewing Cardinale a good casting choice, he said she lacked the "blood-and-thunder abandon" of her performance in Cartouche , blaming Leone for directing her "too passively".
In subsequent years, the film developed a greater standing among critics as well as a cult following. It has also appeared on prominent all-time critics lists, including Time magazine's greatest films of the 20th century and Empire ' s greatest movies of all time, where it was the list's highest-ranking Western at number The film is recognized by American Film Institute in these lists:.
The movie was a massive hit in France,  and was easily the most successful film released there in with It was also the most popular film in Germany with admissions of 13 million, ranking third of all time.
Otherwise, one scene was slightly longer in the US version than in the international film release: